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“I got rhythm…”

synopsis

An American ex-GI tries to make it as a painter in postwar Paris, falling into a romantic tangle that unfolds largely through lavish musical sequences set to Gershwin compositions.

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mini-review

Directed by Vincente Minnelli, this is pure MGM dream factory. The 17-minute ballet finale is one of the most ambitious sequences ever attempted in a Hollywood musical. Story is feather-light — but the color, choreography, and sheer exuberance carry it.

A Sunday afternoon, a glass of champagne, and a willingness to surrender to spectacle.

Absurdist's Corner

An unemployed American painter in postwar Paris somehow has the time, stamina, and funding to stage a 17-minute, fully orchestrated ballet fantasy inside his own romantic disappointment. Reality politely steps aside so Gershwin can take over. Also mildly absurd: that romantic misunderstandings can be resolved through Impressionist-inspired dream choreography rather than actual conversation.

fun facts

  • Gene Kelly insisted on extensive ballet training for co-star Leslie Caron.

  • The extended ballet finale cost nearly half a million dollars — enormous at the time.

  • The film won Best Picture.

  • The sets were inspired by French Impressionist painters.

An American in Paris (1951)

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