“It’s not anti-Americanism, it’s anti-arrogance.”
synopsis
An American businessman living in Barcelona finds his orderly expatriate life disrupted when his brash naval officer cousin arrives in town. As the two navigate romantic pursuits and cultural misunderstandings, they collide with European skepticism toward American foreign policy and identity.
pairs well with ...
mini-review
Stillman blends social comedy with political undercurrent, crafting a film that examines American self-perception through witty dialogue and romantic misadventure. Much of the tension plays out in conversation — cultural pride clashing with insecurity. The humor is dry and literate, driven by verbal sparring rather than plot mechanics. Beneath the surface lies a subtle meditation on nationalism, masculinity, and youthful certainty. It’s smart, understated, and slyly critical without losing charm.
Two Americans abroad manage to turn romantic tension into an international policy debate.
Absurdist's Corner
Two Americans abroad manage to turn romantic tension into an international policy debate.
fun facts
Part of Stillman’s loose “yuppie trilogy.”
Shot largely on location in Spain.
Known for its dialogue-heavy scenes and political undertones.
Chris Eigeman became a recurring Stillman collaborator.