“That’s a good scream.”
synopsis
A sound technician accidentally records what he believes to be a political assassination. As he investigates, he becomes entangled in conspiracy, manipulation, and a chilling exploitation of tragedy.
pairs well with ...
mini-review
De Palma’s style is front and center — split screens, slow burns, elaborate tracking shots. It’s paranoid cinema with operatic flair. The ending is pitch-black and cynical, turning tragedy into sound design irony.
It’s less airtight than The Conversation, but more flamboyant.
Late-night viewing. Political distrust.
Absurdist's Corner
The ultimate irony: the perfect scream recorded from genuine horror.
fun facts
Heavily inspired by Antonioni’s Blow-Up.
The Liberty Day finale sequence is pure De Palma spectacle.
Travolta’s performance is often underrated in this role.