“Yo, homie. That my briefcase?”
synopsis
A mild-mannered taxi driver unwillingly becomes chauffeur to a hitman executing multiple contracts across Los Angeles in one night. As the night unfolds, the driver is forced to confront both the killer and his own inertia.
pairs well with ...
mini-review
Lean, nocturnal, and beautifully shot in early digital. Cruise plays against type — cold, efficient, philosophical. Mann again makes LA feel like a glowing alien city. The film isn’t sprawling like Heat — it’s contained and relentless.
Crime drama as existential night ride.
A late-night viewing. Urban insomnia.
Absurdist's Corner
A professional killer more self-aware than the average motivational speaker.
fun facts
Cruise trained extensively in weapons handling for realism.
One of the first major films shot largely in digital high-definition.
Jamie Foxx was nominated for Best Supporting Actor the same year he won for Ray.